Voxengo GlissEQ

Year after year after year, Voxengo Gliss remains the heavy-weight champion in all my work when it comes to surgical and dynamic EQing (linear-phase 8x oversampling settings).  I repeatedly pit Gliss against new contenders.  It always comes out on top, taking out Waves C4/C6 without breaking a sweat and has dominated every dynamic EQ that has emerged since.  It just sounds better in every way, whether it's a shelf or a node or a low/high-pass filter.  Plus it's more flexible.  People don't realize that every node is potentially a powerful transient shaper.  Also, the harmonic saturation mode is not to be underestimated.  For thrills, I once opened Gliss EQs on every track of a mix with a wide saturation Q and a few tenths of a dB gain.  It sounded better than all but one of the console emulations on the market at that point in time, crushing many expensive well know console knock-offs.

I cannot say enough good things about Gliss.  It is a legendary classic in my view that may well be the end all be all of linear-phase EQs.  And now that it is compatible with AAX, there's no excuse for everyone not to be using it.

loadestone.audio

Hi, I purchased GlissEQ today after trialing it for a while and I have to say it's an absolutely superb product.  For me the ability to layer the spectrum of one track over another is just inspired - why hasn't anyone ever thought of this before!  It provides such useful visual feedback when mixing elements to fit well together within a track.  Excellent work, many thanks!

Chrispy, GlissEQ forum post

I am so thankful for the tools that you have made.  I am able to achieve control over sound that is simply impossible with "two-knob plugins." They certainly have their place, but I prefer to understand the character of different flavors of sound and mix/transform music with conscious intention, just as songwriters do so when creating their work initially.  Your tools enable me to express what I see/hear in my mind's eye/ ear.

CodingMusica.com