Voxengo GlissEQ

I've been using at least one of your plugins on all of my mastering projects for years now.  Just want to say thanks.  I've just discovered Soniformer.  I was able to *mostly* rescue one of the worst mixes I've ever gotten.  And without horrible artifacts either.  Keep up the good work.  I'm sure one day I'll own all of your plugins.  Your prices make my hobby-business possible.

Jon at Transparent Mastering

Year after year after year, Voxengo Gliss remains the heavy-weight champion in all my work when it comes to surgical and dynamic EQing (linear-phase 8x oversampling settings).  I repeatedly pit Gliss against new contenders.  It always comes out on top, taking out Waves C4/C6 without breaking a sweat and has dominated every dynamic EQ that has emerged since.  It just sounds better in every way, whether it's a shelf or a node or a low/high-pass filter.  Plus it's more flexible.  People don't realize that every node is potentially a powerful transient shaper.  Also, the harmonic saturation mode is not to be underestimated.  For thrills, I once opened Gliss EQs on every track of a mix with a wide saturation Q and a few tenths of a dB gain.  It sounded better than all but one of the console emulations on the market at that point in time, crushing many expensive well know console knock-offs.

I cannot say enough good things about Gliss.  It is a legendary classic in my view that may well be the end all be all of linear-phase EQs.  And now that it is compatible with AAX, there's no excuse for everyone not to be using it.

loadestone.audio

I thought I'd drop you a note just to say that I have no negative issues with the plugins.  I like using all the ones I have and love the sound.  I find them easy to use and understand.  The pricing seems very fair to me as well.  I also wanted to especially note the look of the plugs.  I prefer the straight forward layouts as opposed to very elaborate GUI's or emulations of "vintage" looking devices.

Garry Wasyliw