The GlissEQ and SPAN Plus have been the two most powerful tools in my sessions. They are on my master bus by default and give me great insight into how my various tracks interact with each other. It’s all I need to go a little more surgical with overlaps and spillage and control. The Mid - Side mode is just a blessing!
On the production side of things, I love using the Voxengo LF Max Punch on my bass drops which adds a touch of drive and brings out the oomph with great sustain and control. Most importantly I love using it quite a bit when working on films and doing a 5.1 mix for some low end LFE goodness. My subs need to pop as much as my highs need to shimmer and breathe. The Voxengo Stereo Touch often goes on my mono synth leads and at times on my guitars where I automate the width based on the section of the song along with boosting and reducing some frequencies using the Voxengo HarmoniEQ.
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