Voxengo GlissEQ

Year after year after year, Voxengo Gliss remains the heavy-weight champion in all my work when it comes to surgical and dynamic EQing (linear-phase 8x oversampling settings).  I repeatedly pit Gliss against new contenders.  It always comes out on top, taking out Waves C4/C6 without breaking a sweat and has dominated every dynamic EQ that has emerged since.  It just sounds better in every way, whether it's a shelf or a node or a low/high-pass filter.  Plus it's more flexible.  People don't realize that every node is potentially a powerful transient shaper.  Also, the harmonic saturation mode is not to be underestimated.  For thrills, I once opened Gliss EQs on every track of a mix with a wide saturation Q and a few tenths of a dB gain.  It sounded better than all but one of the console emulations on the market at that point in time, crushing many expensive well know console knock-offs.

I cannot say enough good things about Gliss.  It is a legendary classic in my view that may well be the end all be all of linear-phase EQs.  And now that it is compatible with AAX, there's no excuse for everyone not to be using it.

loadestone.audio

Are you surprised I am using GlissEQ for a plugin to my music player?  I think you have priced it right for an audiophile premium product, software that is actually used for mastering albums.  This is how I am describing it on music forums.  GlissEQ is easy to figure out for the most part without the manual.  I do not think there is hardware EQ or compander that can do what GlissEQ can do.  And it is allot of fun for me to use.  GlissEQ is great for the obsessive-compulsive audiophile in me.  JFYI

Bob Graham

I love the fact that Aleksey doesn't assume which platform his users are making music on.  Instead, he offers plugins for several platforms, including Vista x64, which is a big plus for me.  Thanks, Voxengo!

Ian Anderson