I just have to convey my absolute joy with the pristine transparency and accuracy afforded by combining polysquasher and elephant at the end of my mastering chain.
This combination is a standout for acoustic instruments and has no equal in the software domain.
Bravo to you and thank you for your work...
David Williams
Just a note (while I am mixing) to thank you for your wonderfully musical and intuitive plugins. I am primarily involved with recording acoustic flute. The demands of transparency and musicality in an eq for this purpose are extraordinary. I have found that Gliss EQ meets the challenge and has resulted in a marked improvement of (and satisfaction with) my final sound. Bravo!
Sincerely and with gratitude,
David Williams
One of the most versatile limiters I've had the pleasure of working with. It has multiple modes for use in whatever situation you find yourself in and at the price you pay for this it's an absolute steal! I always find myself reaching for the Elephant anytime I need something a little 'warmer' in the sound. Great for overly digital ITB mixes.
www.evolutionmastering.com
Are you surprised I am using GlissEQ for a plugin to my music player? I think you have priced it right for an audiophile premium product, software that is actually used for mastering albums. This is how I am describing it on music forums. GlissEQ is easy to figure out for the most part without the manual. I do not think there is hardware EQ or compander that can do what GlissEQ can do. And it is allot of fun for me to use. GlissEQ is great for the obsessive-compulsive audiophile in me. JFYI
Bob Graham
I used Transgainer on vocals whose transients (heard mostly on constanants and attacks) were so strong, I thought I needed to re-record the track. T gainer saved the track and my voice! Excellent plugin!!!
Timothy Ross, Vocalist
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This last week, I upgraded one of my computers from Windows XP to Win7. I did this by completely reformatting my partition, and installing everything from scratch.
When it came time to install and authorize all my Voxengo plugs, I was delighted to find something no regular user encounters on a day to day basis - that there is a means to authorize all my licensed Voxengos in a single action. That is some very clever and very considerate programming, and greatly appreciated by someone faced with the tedious task of installing and authorizing dozens of programs and plugins.
Voxengo plugins are an integral part of my working process now, and just about everything I turn out has been touched in one way or another by your work. Thanks very much for the great sound, and the little touches that are the product of great programming.
Frank Lockwood
I have been using Voxengo tools in the mastering studio for as long as the studio has operated. Unique tools that are designed for correcting real world problems at prices that suit wallets. I am using Elephant, Warmifier and Soniformer here and whilst they are not used for every job they are a very important set of tools in my digital toolbox fitting in where other tools fail to meet the desired results. The fact that every plug in has a free demo means you can assess the sound qualities in your own studio with your own music. I always like to check back on the site to see if new innovative products have been developed. Keep up the good work.
Mastering Engineer Barry Gardner, SafeandSound online Mastering
Outstanding! Nothing more, nothing less.
Never found nothing like it out there.
Can compete with any plugin that exist on the market.
Congratulations!!
Rogério Carvalho
Your Marvel EQ (free!) is superb. Sooo easy to use, lots of clean functionality.
Claudio Vidal
I don't normally stop and thank the architect of some amazing work, who I see also answers the support line but you deserve high praises for what you have accomplished. In two days you have given me the tools to elevate my music more than I have done in the last 3 years. I have always hated the sound of limiting, (never found a good one digital or analog) and now with THE HUGE ELEPHANT IN THE ROOM, I am able to hear my way through the process, finding just the right settings to get a pro commercial sound. Master buss with Sonar X3, UAD Ampex tape emulation, Polysquasher (gentle) The Elephant +3 or so, and final analog gui-ness from a Rupert Neve Portico II. Your products were the missing link. Thanks so much!
Brian Lee Bender