Voxengo Warmifier

I cannot believe that Warmifier gives BBE Sonic Maximizer a run for the money.  I was fixated on BBE, but after using Warmifier, there is so much more control that the BBE SM doesn't have: current, voltage tube emulation as well as tube makes/types, LE and HE filter adjustments as well as LE And HE EQ'ing.  Just disgusting! (Don't fret: that's a good disgusting LOL)

Sometimes I have to admit it: I get confused to using Lampthruster and Warmifer, but Warmifer is the unexpected lovechild of Voxengo TubeAmp & Voxengo Sonic Finalizer in my eyes!  I assume that Warmifer is better for the mastering phase when used with Marq.  Compressor, Soniformer and Elephant.....as Lampthruster is good for colorizing tracks in congregation with Voxengo Crunchessor, Voxengo GlissEQ, and Elephant, correct?

Well, enough of my raving.  I'm going back to using this bad boy.  Using Warmifier with AFChorus and Crysonic's Spectra'PE 32-bit limiter is a deadly combo, yo.

Peace,

After a phase of trying other plugins, mostly analog emulations, by other makers, I once again have to commend Voxengo for the quality of their plugins.

If you want a compressor that can tame the peaks of a vocal while giving it a polished sheen, I highly recommend Deft Compressor.

For giving warmth to vocals?  Or a bass compressor that (in my opinion) works much better than most LA2A emulations?  Use Crunchessor.  I use the 2A preset to keep the levels of bass tracks consistent without sounding squeezed (something I often hear from LA2A plugins).

Deft Compressor going into Crunchessor is my preferred version of "1176 to LA2A", that is, a fast attack compressor going into a smoother attack compressor.

I still highly prefer CRTIV Tape Bus compared to other tape plugins I have if I want to keep an open high-end sound to the track.  It's really good at keeping the punch and transients on the master bus while improving the crest factor (push the record gain).

I have to say that Warmifier is great since unlike other saturation plugins, it's not easy to overdo the amount of saturation.  It's super subtle, and these days I find that using too much saturation has a blurring effect on tracks.

Sobor is just unbelievably good.  You have to try it.

Voxengo is just really good DSP - high quality digital - without the mask or crutch of trying to emulate old, classic analog gear.  There are a handful of small devs like that, and just like Voxengo I highly suggest you try them out.

Dear Voxengo guys,

Thank you , thank you, thank you!  I just want to express my appreciation for your outstanding products.  There is nothing on the plug-in market even close to the quality you offer.  I have bought seven of your plug-ins and I'm using them in all my productions from now on.  They are just amazing, period.

If you could come up with a vocal tuner as well, I'd buy it faster than lightning.

Many tanks and best wishes to all of you guys!  Kind regards