Voxengo Warmifier

Initially bought the Warmifier to heat up a very solidstate guitar tone and have subsequently used it on my masters as well, brilliant bit of software, sounds so ...warm!  Definitely leading to the 12AT7 for the smoothness.  As a result of being so impressed I also bought HarmoniEQ and Marquis Comp which also sound lovely, very smooth and clean!

Dan from Tonne

I am a 31-year-old musician that has been singing and playing guitar for 17 years.  My two brothers and a lifelong friend have been writing and performing music together for over 10 years.  We have gone to local studios and paid tons of money only to be rushed, overcharged, and unhappy with the end result of our music.  Therefore, we decided to record our latest efforts ourselves.  I studied, researched, practiced, and sought advice from several forums.  I was happy with everything about our project, exept my vocals.  They just sounded "dry" and "metallic".  I couldn't put my finger on it, but my vocals sounded very weak next to our music (we play alternative rock...think Coheed and Cambria meets The Mars Volta).  The Warmifier paired with the Voxformer is an absolutely astounding solution.  My vocals sound rich, warm, and polished.  Believe me, I've tried several plug-ins (compressors, EQ's, Modulators, etc., etc.) with less than satisfying results (glitches, poor quality, system crashes, you name it) but these two Voxengo plug-ins are an instant fix.  I really am surprised at the difference this plug-in makes.  It's almost imperceptable....very subtle, but definately there!  Extremely easy to use.....I use two presets that come with the plug-ins "Warmer and Richer" on the Warmifier and "Smooth as Silk" on the Voxformer.  I will be posting this on the Voxformer page as well.  Thanks Voxengo.....

JB; Texas

Dear Mr.  Vaneev,

I am using Your tools for professional CD productions, broadcast an TV, too.

And it is about time to say thank You!

I am enjoying to work with all Your plugins every day.

Nowadays we have many plugins being programmed to be used by non professionals, as long as they look good and have all kind of bullshit-addons to disturb studio computers from working smooth and efficiently.

I appreciate Your way of seeing the things from the point of music professionals and sound engineers in terms of quality, pricing, and handling parameters as it should be technical wise.  The optical appearance of the tools are made for an everyday use in industrial production.  Thanx a lot.

All the Best

Yours,

Michael Schneider, TEControl, Germany