Voxengo TransGainer
Hello Voxengo!
Just wanted to chime in and say how much I'm enjoying your products. I'm using LF Max, Transgainer, and your MS plug. I'm a sound designer for feature films and video games, and I simply cannot believe the value and quality of your software. It's unreal!
It would be much harder to do a good job without your stuff. Big beefy sounds!
Thanks again,
"GET UN EFFECT LIKE BRINGING THE MICROPHONE CLOSER TO THE SOURCE"
I have really tried many transient shaper plugins to bring forward a closely recorded sound more transparently than an eq or compressor and to keep the background noise under control which means improving the Signal/Noise ratio.
Apart from Eventide Physion which has a separate place (and requires high latency) I must admit that TransGainer is truly exceptional once you understand how to adapt the detector to your purpose, "Transient detector threshold" and PRECISE_B algorithm in particular.
With a reference converter RME ADI-2 PRO FS it is interesting to note that as the resolution increases, artifacts decrease, especially if you want to use low Detector Threshold. Oversampling is not as useful as a real higher resolution especially from 384kHz and you can also use 768kHz for an almost analog experience.
More than that I think that you have to switch to Elysia Nvelope hardware that has some interesting features that I would like to be inherited by TransGainer in future editions!
As a reference of my tests:
Alg = PRECISE B
Det Delay = 10.0 (min)
Det Thresh = 12.0 (high sample rate resolutions) / 18.0 (low sample rate resolutions)
X.Attack = 200 (max)
X.Decay = 40.0 (min)
X.Gain = 4.0
Out Gain = 0.0
Congratulations indeed for a plugin very underestimated by reviewers and forums.
Dear Mr. Vaneev,
I am using Your tools for professional CD productions, broadcast an TV, too.
And it is about time to say thank You!
I am enjoying to work with all Your plugins every day.
Nowadays we have many plugins being programmed to be used by non professionals, as long as they look good and have all kind of bullshit-addons to disturb studio computers from working smooth and efficiently.
I appreciate Your way of seeing the things from the point of music professionals and sound engineers in terms of quality, pricing, and handling parameters as it should be technical wise. The optical appearance of the tools are made for an everyday use in industrial production. Thanx a lot.
All the Best
Yours,