Voxengo Soniformer
Primary User Guide (PDF): English, Français, Deutsch, Русский язык
I'm a music producer from new york.i always master my tracks at the studio with hardware.But When it's time to make the final mix/master and digitally edit the final track.
I only Use the best of the Best.And let me tell you.Since i started Using the Voxengo Mastering Plugins.My Tracks Just Keep Sounding Better/crispy And The Final Results Are Just Amazing.
When Mastering my Music At The Ny Studio.I used the "Voxengo HarmoniEQ" To make the track more superior and to boost out some hidden KHZ for really stunnin results.
i only used the best mastering plugins.and by that i mean "voxengo Mastering Vst plugins"...
Alberto RamirezMy first album was an instrumental metal album with electronic instruments and orchestra crammed in and I was at wits end trying to get it up to current volume levels and not destroy the sound. I tried a number of other popular compressors\limiters that cost much more and could not get the sound I wanted. I finally tried the Elephant and I couldn't believe how simple the interface was...and how well it just worked! I've since recommeneded it to others, one friend who was in a punk band came back to me and said, "That plugin worked miracles!". I literally use the Elephant at the end of my chain for every project now. It's a given.
I also bought Soniformer that same day and I've been very happy with it's performance. It's one of the only EQ\multiband compressors I trust to hand delicate high frequencies without distortion. It's extremely powerful, though the serious control provided makes for a somewhat confusing interface. Also I wish it provided for seperate left\right channel EQing\Compression. (of course that would clutter the interface even more haha!)
Scott MorganDear Mr. Vaneev,
I am using Your tools for professional CD productions, broadcast an TV, too.
And it is about time to say thank You!
I am enjoying to work with all Your plugins every day.
Nowadays we have many plugins being programmed to be used by non professionals, as long as they look good and have all kind of bullshit-addons to disturb studio computers from working smooth and efficiently.
I appreciate Your way of seeing the things from the point of music professionals and sound engineers in terms of quality, pricing, and handling parameters as it should be technical wise. The optical appearance of the tools are made for an everyday use in industrial production. Thanx a lot.
All the Best
Yours,
Michael Schneider, TEControl, Germany