Voxengo Elephant
Primary User Guide (PDF): English, Français, Deutsch, Русский язык
Friendly greetings Aleksey!
I wanted to thank you directly for Voxengo Elephant. Every time a new limiter comes out on the market, I test it thoroughly versus Elephant, but ALL contenders to date (over the last four years) have been crushed at Elephant's massive feet. Despite compelling marketing copy, those competitors simply can't handle the extreme dynamics and transients I throw at Elephant, which rides the peaks a lot more transparently. The TRANS TIME knob is magic — if I hear unwanted distortion in a saturated track rich with ambience, I simply turn it up and the ugliness is gone. I can retain a good balance between punch and clarity, something which is unintuitively difficult in "other limiters".
You should know that I used Elephant on my album that won the Spectrasonics-Bob Moog Foundation's OMG-1 Grand Prize: http://www.spectrasonics.net/contest/winners.php From phat breakbeats to eloquent arpeggiators, Elephant is versatile and able to treat it all. Elephant's high-quality at low-latency makes it possible to use in a "realtime mastering chain", which is essential to my workflow and makes it easy to hear the near-final result instantly. Plus, auto-oversampling works like a charm.
What's more, EVERYONE out there should know how mature and stable Elephant is. It's almost a decade old, wow! Long ago, I grew irritated with lesser limiters that didn't keep backward compatibility modes in mind, since that inconsistency wastes time. But I'm glad that although Elephant continues to be in active development, it has really settled into a beautiful place in my creation process.
On top of all this, Elephant's price continues to provide the best bang-for-buck. What incredible value for a truly versatile tool!
Keep being creative — you've truly made it easier for musicians like me to make our music shine.
Torley Wong (Whidbey Island, Washington)After much research into digital limiters, i kept on reading how in test after test voxengo's elephant was always rated as the best.
After demoing it i soon came to the same conclusion. It is highly flexible and ideal for situations where punch and clarity are needed at modern volume levels. It can also be very transparent.
Elephant is now our mastering studio's default limiter. Thanks for a great product!
David Else : Head Mastering Engineer : www.digitalmediaduplication.comDear Mr. Vaneev,
I am using Your tools for professional CD productions, broadcast an TV, too.
And it is about time to say thank You!
I am enjoying to work with all Your plugins every day.
Nowadays we have many plugins being programmed to be used by non professionals, as long as they look good and have all kind of bullshit-addons to disturb studio computers from working smooth and efficiently.
I appreciate Your way of seeing the things from the point of music professionals and sound engineers in terms of quality, pricing, and handling parameters as it should be technical wise. The optical appearance of the tools are made for an everyday use in industrial production. Thanx a lot.
All the Best
Yours,
Michael Schneider, TEControl, Germany