Voxengo Elephant

I am using quite a few of your plugins as bus masters for film & TV sound post.  Elephant after Polysquasher is fantastic to envelope the final mix and peak limiter for broadcast specs.  Voxformer is an excellent way to control and punch vocals without sounding over processed.  Soniformer is my preferred plugin for music pre mix stems but until recently, I wasn't quite happy with a compressor for FX stem control, but the new Drumformer is perfect for this.

HarmoniEQ and GlissEQ are both really useful to enhance without fatigue and also interesting EQs to use on denoised material.  Great plugins and so reasonable priced.  They work perfectly in my Fairlight host.

Michael Gissing , Digital City Studios, Australia.

I've tried every mastering eq and limiter, and find Elephant and Gliss are absolute beasts in mastering.  Elephant is easily as transparent as the L2 or ProL, and is priced super competitively.  Also, I find the numeric 'crest factor' readout to be very helpful.  Gliss has a great analyzer and is very aesthetic even for deep mid range cuts.  These two get regular use in my mastering studio.

Jeremy Cox Mastering

It's pretty simple why Voxengo plugins are so good - Alexsey has a better ear compared to other developers.

His plugins sound so 'musical'.  I've used many other plugins that technically perform their designed function, yet somehow just don't sound good.

I now have a whole set of expensive plugins that are just taking up drive space.  They simply don't sound as good as thier Voxengo counterparts.

Mark Briody, guitarist for Jag Panzer (Century Media Records)