Voxengo GlissEQ - User Reviews
Voxengo LF Max Punch,
Voxengo Marquis Compressor,
Voxengo Polysquasher 3,
Spasibo Aleksey! And many thanks to all the guys that are creating such wonderful products! I'm using plenty of plug-ins of many other sound effect companies, but since the time I come across the "Voxengo" ones there's no a single number/song of mine that I wouldn't want to use these outstanding plug-ins in my tracks/mixes. I'm not talking about the price, because in my opinion considering their sound, easiness of use, in comparison with other overpriced products from other sites... - they are "free". I'm impatiently waiting for your other stuff you'll come up with, I'm sure that they're going to be the same sound with a soul and as fantastic as they are now.
With a high respect I'm removing my hat before you guys.
I have just finished mastering 'Is there time' by Rail Road Riders.
Most of the songs needed some final flavour and with Varisaturator I obtained what was needed. It is very easy to use. I flipped through the various proposed settings and quickly found what I was looking for for each individual song and all I needed to do therefater was a small adjustment with the available analogue like bottoms.
I used Varisaturated after the EQ (Voxengo GlissEQ) and before the final limiting.
Great tool Aleksey!
To begin, let me say that I love virtual synths but rarely get excited about virtual EQs and Compressors - until I bought something called the Soniformer. This is really one of the coolest dynamic plugins I have ever used and it has pretty much replaced my use of the C-4. The degree to which you can control the dynamics and frequencies of your sound is simply unlike any other plugin. I've also recently acquired the Gliss and Curve EQs (not to mention a few others). Not only do they all sound amazing, but the ability to control their parameters in such a graphic way and visually get feedback as to how much you are affecting the sound is really awesome.
When it comes to dynamic processors, a lot of companies design plugins that are boring and sound dull. One of the things that I love about the Voxengo products (in addition to their great sound) is their ability to harness the vast capabilities that a computer has in processing digital audio. Aleksey seems to understand that since your working with digital audio you can do some really unique things to polish and enhance the sound that you might not be able to do with traditional EQing and Compression, and this is where plugins like Soniformer and Gliss EQ are a breath of fresh air for audio.
As a young, aspiring producer, I've been fortunate to have worked on a wide variety of audio related projects from writing music for indie films (Flying Tiger, StagBunny), voiceovers for EA (Superman Returns), to appearing on some well respected electronic music compilations. I'm also a Pro-Tools Lab Instructor for Advanced Workstations at Full Sail and since discovering the Voxengo products they have made their way into every one of my projects and will continue to do so in the future. Other Audio Instructors in our department use them and I highly recommend them to my students as well. Thanks Aleksey for such great sounding and "ingenuitive" plugins. Sound with a Soul indeed!
Voxengo's plugins have always had a fabulous transparent sound which has become part of the Calamity Studio work process. Gliss is our 'got to' channel EQ, Soniformer and Elephant are part of our regular mastering chain.
But now that Aleksey is leading the way by providing x64 supported versions of all his new plugs we will be purchasing every new release from now on.
I have been using Voxengo plugins for about 4 years now. I use many plugins and various pieces of hardware, but I still do not open a session without using the Gliss EQ.
No other EQ does what the Gliss can do. I am able to boost frequencies on my kicks and bass while at the same time making them tighter rather than flabbier.
I can bring up the highs on the snare and increase its snap at the same time.
Between the sonic strength and useful features (such as overlaying various tracks frequency responses) of the Gliss EQ, it has become one the most used tools in my arsenal.