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I absolutely love Voxengo plugs for flexibility, sound quality and value.  I recommend them to everyone I know.
Richard Turner, Producer Remuziq.com


I've been using at least one of your plugins on all of my mastering projects for years now.  Just want to say thanks.  I've just discovered Soniformer.  I was able to *mostly* rescue one of the worst mixes I've ever gotten.  And without horrible artifacts either.  Keep up the good work.  I'm sure one day I'll own all of your plugins.  Your prices make my hobby-business possible.
Jon at Transparent Mastering


Voxengo SPAN deserves the reputation it has, without a doubt.  I've been using it in mastering for years now and has held its place in the studio without contest.  It does everything you need an analyzer to do; its easy to look at and has all the features to tailor the experience to your needs.  And does it get any better than free?  Definitely a must-have in any studio.
Jack Braglia, Mastering Engineer at Vital Mastering


I'm surprised to find myself so impressed as to have to publicly rave once again.  I've been trying out Elephant extensively on my tracks for Lyraka Volume 2, and this plug-in does what I thought impossible: gives top rated suites like Izotope serious competition.  In fact, the more I use Elephant the less I use any other mastering limiter.  The controls give you a phenomenal amount of power over the sound, without a daunting learning curve.  This is yet another winner from what I'm discovering are an elite set of plug-ins from Voxengo.
Andy DiGelsomina - Composer, lead guitarist, and co-producer for Lyraka


I use your EQ, SPAN, and Voxengo Analogue plug-ins all over my own music.  Span Plus alone is absolutely essential for both tracks and masters.  When it comes to Tape Simulation, there isn't a better plug-in out there than Tapebus, and I've tried countless, plus the Delay portion of the bundle is one of my all time go tos.  I look forward to trying out more, amazing work my friends!
Andy DiGelsomina, Composer, Guitarist, and Co Producer at Lyraka



After demoing everything out there Elephant stomped on everything!  It's versatility and transparency is truly fantastic and it's just got better with each update.

Pretty much nothing leaves the mastering studio without Elephant on it so in that sense it's one of my most used and relied upon processor.

I've also used MSED and SPAN for years and aim to pick up VariSaturator soon.

Top class tools for a very reasonable outlay 10/10

Keep it up and many thanks for your dedication and hard work!

Ady Connor @ TRK Mastering (UK)


:

Dear Mr.  Vaneev,

I am using Your tools for professional CD productions, broadcast an TV, too.

And it is about time to say thank You!

I am enjoying to work with all Your plugins every day.

Nowadays we have many plugins being programmed to be used by non professionals, as long as they look good and have all kind of bullshit-addons to disturb studio computers from working smooth and efficiently.

I appreciate Your way of seeing the things from the point of music professionals and sound engineers in terms of quality, pricing, and handling parameters as it should be technical wise.  The optical appearance of the tools are made for an everyday use in industrial production.  Thanx a lot.

All the Best

Yours,

Michael Schneider, TEControl, Germany


It doesn't really get any better than this; the best SRC you'll ever hear, and it is completely free.  I currently use it with Wavelab and it is absolutely flawless.  Highly recommended to anyone interested in pristine SRC.
Jack Braglia, Mastering Engineer at Vital Mastering


Analogflux Suite just made my harmony vocals awesome.  TapeBus alone is worth the price of admission - this brought a nice warmth to my backing vocals & joined them all together in the same space instead of sounding like several isolated tracks.  They blend beautifully with lead vocals now & sit perfectly in the mix just behind lead vocals

I put the 'vintage' Chorus on the harmony vocals & added the Impulse spring reverb on them & the backing vocals are now perfect.

The Delay won't be used every day, but when you want an old school analog delay - this is the one to use.  It even syncs to the beat of your project.

Thanks for all your awesome work Voxengo!

Pirate Chimp


Gotta tell ya--the Booger, er, Boogex came close to saving a session recently.  I got some tracks to mix from a guy who had multiple-mic'ed his heavy guitar cabs, but all out-of-phase, and honesty not thick of beefy, and just plain fizzy.  Yuck... after a couple of mix attempts with heavy EQ, I kind of gave up as 'good enough'.  But, driving home while listening I got the idea of using the Boogex as a cab emulator on the rhythm tracks, and after only about 5 minutes of adjusting I had a huge tone going on, and one that really fit the style.  I'm gonna put up a couple samples on my website ASAP just to demonstrate how cool the Boogex is in real-life situations like this!

Great stuff all-around, man--love it.

TBush