Voxengo Crunchessor

At first I was put off by the plain looks of these Plugins.  I'd pay twice or three times as much money for something that 'looked the part' but ultimately didn't sound even half as good as Voxengo.  I'm learning how other Companies 'talk about' 'warm' and 'old' and 'analogue'.  Voxengo just gets on with the job and delivers 10 out of 10, everytime.  The funny thing is, is that I'm beginning to like those quirky looks after all :) Daniel, Dublin/Ireland!

Daniel

Thank you again for your products.  With every new project I find new ways to get the sounds I want with your tools.  Voxengo VSTs are truly part of my workhorse arsenal.

The latest example is LFMax and LFPunch.  At first I thought they were nice enough to buy, but I didn't use them much until recently.  In fact, I had almost considered giving them up.  But recently I sat down with the tools to really see what they're made of -- and that's when I came to really discover their potential in ALL my mixes!

With a clever combination of Crunchessor for sidechaining, LFMax, and LFPunch for all tracks with low-frequency content, my tracks sound ten times better.  I had always thought 'low end will always be sloppy, there's no way to make it sound good'.  I was wrong!

I was always trying to repair slop in the midrange and unbalanced highs with simple EQ, but with LFMax, LFPunch, and Crunchessor, I'm able to tame the low-end and get the sort of solid, even response I've wanted in a wide range of listening conditions -- headphones, studio monitors, and consumer systems with a wide array of subwoofer quality, tone, and loudness "features".

M.  Jones, CFX Music

Dear Mr.  Vaneev,

I am using Your tools for professional CD productions, broadcast an TV, too.

And it is about time to say thank You!

I am enjoying to work with all Your plugins every day.

Nowadays we have many plugins being programmed to be used by non professionals, as long as they look good and have all kind of bullshit-addons to disturb studio computers from working smooth and efficiently.

I appreciate Your way of seeing the things from the point of music professionals and sound engineers in terms of quality, pricing, and handling parameters as it should be technical wise.  The optical appearance of the tools are made for an everyday use in industrial production.  Thanx a lot.

All the Best

Yours,

Michael Schneider, TEControl, Germany