Voxengo Crunchessor

Add me to the chorus of people singing praises about Voxengo software.  I've just recently started getting into computer audio recording (Cubase 4 on an Intel Mac), and was looking for some improvement over the stock plug-ins.  I downloaded a couple of the free Voxengo plug-ins (the Tube Amp and Overtone GEQ), and based on that, will be purchasing some others now.

Echoing what others have said, the Voxengo plug-ins sound musical (what a concept!) and are reasonably priced.  It's obvious the person who designed them has a discriminating and musical ear.  I was able to make some immediate improvements to a couple tracks with the free plug-ins.  I almost feel like I'm using analog gear, due to the warm, musical tone of this software.  Great job!  I also appreciate the modular concept of the plug-ins, how they all share a number of common parameters, which makes it easier to switch from one to the next.

The Voxengo website is well organized, making it easy to get information on the software.  It's also clear that the software is updated regularly to fix any issues that come up. (Wouldn't it be nice if all software companies did this?)

I don't write too many testimonials, but when someone does something right, it should be recognized, and Aleksey Vaneev has done just that.  Thank you for designing this software, and making it available to the public.

Thank you again for your products.  With every new project I find new ways to get the sounds I want with your tools.  Voxengo VSTs are truly part of my workhorse arsenal.

The latest example is LFMax and LFPunch.  At first I thought they were nice enough to buy, but I didn't use them much until recently.  In fact, I had almost considered giving them up.  But recently I sat down with the tools to really see what they're made of -- and that's when I came to really discover their potential in ALL my mixes!

With a clever combination of Crunchessor for sidechaining, LFMax, and LFPunch for all tracks with low-frequency content, my tracks sound ten times better.  I had always thought 'low end will always be sloppy, there's no way to make it sound good'.  I was wrong!

I was always trying to repair slop in the midrange and unbalanced highs with simple EQ, but with LFMax, LFPunch, and Crunchessor, I'm able to tame the low-end and get the sort of solid, even response I've wanted in a wide range of listening conditions -- headphones, studio monitors, and consumer systems with a wide array of subwoofer quality, tone, and loudness "features".

It's pretty simple why Voxengo plugins are so good - Alexsey has a better ear compared to other developers.

His plugins sound so 'musical'.  I've used many other plugins that technically perform their designed function, yet somehow just don't sound good.

I now have a whole set of expensive plugins that are just taking up drive space.  They simply don't sound as good as thier Voxengo counterparts.