Voxengo Crunchessor
Primary User Guide (PDF): English, Français, Deutsch, Русский язык
Greetings from Australia!
In the last couple of days I upgraded my Elephant to v.5 after not having used it for sometime. It absolutely 'blew me away', I'd totally forgotten how good it is.
I'm using it on my drum buss and stereo buss in Cubase 12 Pro, it really kicks ass(!) and has an amazing set of options and clarity if that's what is needed in any given project.
I also use MSED, Crunchessor, Varisaturator, Span and Transgainer with very pleasing results.
In my opinion Voxengos tools are right at the top with the best, and often better than the very expensive ones.
I'd say money spent on Voxengo products is money well spend, thank you, Aleksey. :)
Mauri BergThank you again for your products. With every new project I find new ways to get the sounds I want with your tools. Voxengo VSTs are truly part of my workhorse arsenal.
The latest example is LFMax and LFPunch. At first I thought they were nice enough to buy, but I didn't use them much until recently. In fact, I had almost considered giving them up. But recently I sat down with the tools to really see what they're made of -- and that's when I came to really discover their potential in ALL my mixes!
With a clever combination of Crunchessor for sidechaining, LFMax, and LFPunch for all tracks with low-frequency content, my tracks sound ten times better. I had always thought 'low end will always be sloppy, there's no way to make it sound good'. I was wrong!
I was always trying to repair slop in the midrange and unbalanced highs with simple EQ, but with LFMax, LFPunch, and Crunchessor, I'm able to tame the low-end and get the sort of solid, even response I've wanted in a wide range of listening conditions -- headphones, studio monitors, and consumer systems with a wide array of subwoofer quality, tone, and loudness "features".
M. Jones, CFX Music