Year after year after year, Voxengo Gliss remains the heavy-weight champion in all my work when it comes to surgical and dynamic EQing (linear-phase 8x oversampling settings). I repeatedly pit Gliss against new contenders. It always comes out on top, taking out Waves C4/C6 without breaking a sweat and has dominated every dynamic EQ that has emerged since. It just sounds better in every way, whether it's a shelf or a node or a low/high-pass filter. Plus it's more flexible. People don't realize that every node is potentially a powerful transient shaper. Also, the harmonic saturation mode is not to be underestimated. For thrills, I once opened Gliss EQs on every track of a mix with a wide saturation Q and a few tenths of a dB gain. It sounded better than all but one of the console emulations on the market at that point in time, crushing many expensive well know console knock-offs.
I cannot say enough good things about Gliss. It is a legendary classic in my view that may well be the end all be all of linear-phase EQs. And now that it is compatible with AAX, there's no excuse for everyone not to be using it.
Voxengo VSTs have become such a critical part of my mixing environment that I will never have a mix on my computer without them!!!
Aboslutely incredible how these VSTs mimic the sonic purity of the greatest analog gear ever invented...
Voxengo VSTs are the answer for any lacking mix. If you are not using these plugins, then you are missing out on the best sounding products available in VST format, bar none!!!
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