We recorded a select group of bands live in the studio as part of the Savannah Stopover Festival. I recorded them in the live room direct to 1/4" tape with Dolby SR. The spacial quality was pretty awesome. I couldn't keep the spacial relationship with L3. I switched to L2 and the high mids got trashy. The Sonnox sounded good but the snare kept jumping out and it wasn't the same snare I was hearing on the tape master. I tried your demo in a last ditch effort to try to convey the feeling of being there. It did just that. THANK YOU!
Peter Mavrogeorgis, Dollhouse Productions
I bought CurveEQ and Elephant last week and put them to the test over the weekend. I just want to say that I'm absolutely blown away, especially with Elephant. The Curve EQ has answered all my prayers - I've been struggling with FreeFilter for about 2 years and find it so limited and restricted, your interface is not only enjoyable to use but intuitive and highly workable, for me just seeing average DB against frequency is like unlocking all the secrets of the big mastering houses - most of our stuff goes on to vinyl so getting the 20-150Hz range right is vital. The Elephant is just HUGE compared to Waves L2 (which to me sounds dull in comparison), Elephant lifts the mix right up, kick drums don't get squashed and main leads and bass are just sooo loud without pumping. 3db preset is just the best, this will be our new secret weapon in making mixes sound even bigger & better. I just want to say a big thanks for writing the above magic tools, you obviously love programming and understanding sound which has given you a great ability to make killer plugins. I will definitely be commenting on forums and passing on recommendations to others. Wishing you all the success in the future ;) Best regards.
Phil George - Sound Engineer - Distorted Records UK
This last week, I upgraded one of my computers from Windows XP to Win7. I did this by completely reformatting my partition, and installing everything from scratch.
When it came time to install and authorize all my Voxengo plugs, I was delighted to find something no regular user encounters on a day to day basis - that there is a means to authorize all my licensed Voxengos in a single action. That is some very clever and very considerate programming, and greatly appreciated by someone faced with the tedious task of installing and authorizing dozens of programs and plugins.
Voxengo plugins are an integral part of my working process now, and just about everything I turn out has been touched in one way or another by your work. Thanks very much for the great sound, and the little touches that are the product of great programming.
Frank Lockwood
