Voxengo Elephant

I have been using Elephant and Soniformer while mastering for YEARS and there isn't a better combo for raising gain and controlling compression/eq without squashing the whole mix.  Sometimes I add in the TransGainer for that extra sizzle and especially to liven up a room mic or a drum bus.  The versatility of the products really shine when you get into the details.  And the fact that I use them sometimes in 20 instances (Elephant makes a great limiter) in Cubase 5 on a PC and never bog my system down and keep low latency.  That is just great programming and the reason I will be back for more!  My songs recorded with your products have been on radio, film and TV, so thanks for supplying such remarkable tools!

Terry McClain, Delvin Shade Music

Hello,

I'm sort of new with DAW's, previously I "decided" to go with samplitude, but later found it to restrictive since it can't handle 7.1 surround (or itself without crashing), unless one looses his/her mind and cough's up $3000 for Sequoya.  My choice has fallen on Reaper, which is clearly above everything I've ever likely to come across.  As THE DAW it is capable of doing everything I / you could ever need, especially when combining it with Voxengo's plugins, WOW!, I mean you people are incredible, and I know that because my ears tells me so.  The end result is everything that ever mattered, which is why we're all doomed, but that's another story ;o)

BorsingStudios

This last week, I upgraded one of my computers from Windows XP to Win7.  I did this by completely reformatting my partition, and installing everything from scratch.

When it came time to install and authorize all my Voxengo plugs, I was delighted to find something no regular user encounters on a day to day basis - that there is a means to authorize all my licensed Voxengos in a single action.  That is some very clever and very considerate programming, and greatly appreciated by someone faced with the tedious task of installing and authorizing dozens of programs and plugins.

Voxengo plugins are an integral part of my working process now, and just about everything I turn out has been touched in one way or another by your work.  Thanks very much for the great sound, and the little touches that are the product of great programming.

Frank Lockwood