Voxengo Voxformer

User Guide (PDF): English, Fran├žais, Deutsch
Primary User Guide (PDF): English, Fran├žais, Deutsch

User Reviews

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I'm using this on Linux (kxStudio 16.04 64bit) via the WinVST adaptor.  Finally a way to run VSTs in a very stable way.  Well, not all VSTs, but all from Voxengo that I use so far.

The Voxformer turned out to be my bread & butter workhorse.  On pretty much all vocals I mix, I use the Voxformer compressor and de-esser.  Since I do mostly live recordings, I got plenty of not-so-optimal SM58 and alike mics, which may also benefit from the Presence function in Voxformer.

I also use it on bass and drums sometimes, depending on my needs.  Overall, I must say now that I found a way to run Voxengo plugins on Linux reliably, the Voxformer is the best vocal channel you can get for the price.

Niels Ott

I was playing with a current vocal track and trying to get it to sit "just right" in the mix.  I had several different pug-ins running on the track: De-Esser, Compressor, EQ, and PSP Vintage Warmer.  Still...  I was not happy with the way it sat in the mix.

I had heard a lot of great things about Voxformer in Sonar forums as well as the overall quality of other Voxengo stuff.  Being an AnalogFlux Suite owner, I figured it would not hurt to install the DEMO of VoxFormer.

I choose the "In Your Face Vocal" preset and was completely impressed.  I purchased the plug-in right there on the spot.  The quality for the cost is amazing.  I tweaked the Compressor and EQ settings and had a FANTASTIC sounding vocal track in minutes.

Thanks!

Ken Boatman

Dear Mr.  Vaneev,

I am using Your tools for professional CD productions, broadcast an TV, too.

And it is about time to say thank You!

I am enjoying to work with all Your plugins every day.

Nowadays we have many plugins being programmed to be used by non professionals, as long as they look good and have all kind of bullshit-addons to disturb studio computers from working smooth and efficiently.

I appreciate Your way of seeing the things from the point of music professionals and sound engineers in terms of quality, pricing, and handling parameters as it should be technical wise.  The optical appearance of the tools are made for an everyday use in industrial production.  Thanx a lot.

All the Best

Yours,

Michael Schneider, TEControl, Germany
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