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I mainly use Marquis and Pristine Space light. For me Marquis is one of the best comps out there since it covers a lot of different compressor types and it's very tweakable. Pristine Space has all I want in a convolution plug. I also have some of the more expensive stuff in my plugin folder but Voxengo holds its ground and gets used in every mix I do.
I must say I really like this approach to plugins. Feature rich, plain but useful GUI's and some unique ideas. Not to forget the fair prices.
Keep up the good work!
I've been using the elephant for mastering and I find it extremely musical. I'm currently demoing glissEQ and harminiEQ, polysquasher,deft compressor and soniformer. I find them all extremely musical. And at the end of the day it is music we are working with so it makes sense to work with plugins that make your music sound even better. I've done an extensive test comparing gliss EQ and Pro Q by fab filter and found gliss EQ sounds better every time. It is more open, more transparent, more sweet and musical. I read in another forum that pro Q was far better but this just isn't true. Yes pro Q is very good but it still doesn't bring any life to the sound like gliss and harmoni EQ do. Everything just seems to come alive with voxengo plugins. I've only owned elephant up to now and when I mix I can't wait till the mastering stage to use elephant cause I know what its going to do to my sound. I don't think twice any more when it comes to voxengo because I've learn't to trust my ears and when I hear something special I look no further.
It is very hard to find something bad to say about your plugs. You have helped me make giant leaps in terms of mastering. As you know, I own most of your plugins and will continue to do so.
Patrick de Caumette
Aleksey Vaneev's interview to Computer Music, UK (June, 2008)
Voxengo Elephant 2, CurveEQ, GlissEQ 2, Lampthruster, Voxformer, Soniformer 2 review in SoundMaker, Greece (November, 2004)
Voxengo Analogflux Tape Bus review in "Fast Guide to Cubase 5" book by Simon Millward, UK
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