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Voxengo GlissEQ - User Reviews


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I have tried many mastering plugins, most of them more expensive than the Voxengo range, some of them several times the price.  Having tried the demo versions of Elephant and Gliss EQ, I was struck by the transparency of their sound, the ease of use, and most of all, by the overall sound quality, which exceeds that of anything else I have tried.  Elephant increases the loudness of the mix, but somehow avoids making it sound compressed, while Gliss EQ adds a wonderful, subtle sheen.  I have just subscribed to Voxengo Premium, and will be using more of your products in future.
Mark Powell


I've been using at least one of your plugins on all of my mastering projects for years now.  Just want to say thanks.  I've just discovered Soniformer.  I was able to *mostly* rescue one of the worst mixes I've ever gotten.  And without horrible artifacts either.  Keep up the good work.  I'm sure one day I'll own all of your plugins.  Your prices make my hobby-business possible.
Jon at Transparent Mastering


Just a note (while I am mixing) to thank you for your wonderfully musical and intuitive plugins.  I am primarily involved with recording acoustic flute.  The demands of transparency and musicality in an eq for this purpose are extraordinary.  I have found that Gliss EQ meets the challenge and has resulted in a marked improvement of (and satisfaction with) my final sound.  Bravo!

Sincerely and with gratitude,

David Williams


Hello,

I'm sort of new with DAW's, previously I "decided" to go with samplitude, but later found it to restrictive since it can't handle 7.1 surround (or itself without crashing), unless one looses his/her mind and cough's up $3000 for Sequoya.  My choice has fallen on Reaper, which is clearly above everything I've ever likely to come across.  As THE DAW it is capable of doing everything I / you could ever need, especially when combining it with Voxengo's plugins, WOW!, I mean you people are incredible, and I know that because my ears tells me so.  The end result is everything that ever mattered, which is why we're all doomed, but that's another story ;o)

BorsingStudios


Hey, I'm a professional who uses a few free plugins (especially like the tube pre sim, and once upon a time I was a Boogex advocate as well) and two commercial ones.  I just got Voxformer and GlissEQ.  I have evaluated GlissEQ in the past and found that it really is NOTHING like any other EQ I've ever tried, I love it, no other EQ can do what it does.  Amazing work there, thank you for making such a fantastic plugin.

I'm still getting to know Voxformer, but I just wanted to thank you for making such high quality plugins, ensuring cross-compatibility, putting out 64-bit versions (what is UP with other devs, get with the times people...), and putting them out at a price that isn't out of reach for those of us who aren't making a killing, just making music.

Thank you for your great work and I look forward to adding more Voxengo plugins to my collection as need requires and finances allow.

Very best regards,

Jeff Baker



I have so many EQs and I was thinking that I don't need one more.  When I heard it, I said "I must have it"!  Voxengo GlissEQ impressed me with very clean and natural sound, without adding extra air or thickness to the sound.  With it's dynamic filtering it works very nice and transparent to any audio source.  Great plugin - my favourite one for final mastering EQ!
Julian Janev - mastering engineer (JJmastering)


Year after year after year, Voxengo Gliss remains the heavy-weight champion in all my work when it comes to surgical and dynamic EQing (linear-phase 8x oversampling settings).  I repeatedly pit Gliss against new contenders.  It always comes out on top, taking out Waves C4/C6 without breaking a sweat and has dominated every dynamic EQ that has emerged since.  It just sounds better in every way, whether it's a shelf or a node or a low/high-pass filter.  Plus it's more flexible.  People don't realize that every node is potentially a powerful transient shaper.  Also, the harmonic saturation mode is not to be underestimated.  For thrills, I once opened Gliss EQs on every track of a mix with a wide saturation Q and a few tenths of a dB gain.  It sounded better than all but one of the console emulations on the market at that point in time, crushing many expensive well know console knock-offs.

I cannot say enough good things about Gliss.  It is a legendary classic in my view that may well be the end all be all of linear-phase EQs.  And now that it is compatible with AAX, there's no excuse for everyone not to be using it.

loadestone.audio


Are you surprised I am using GlissEQ for a plugin to my music player?  I think you have priced it right for an audiophile premium product, software that is actually used for mastering albums.  This is how I am describing it on music forums.  GlissEQ is easy to figure out for the most part without the manual.  I do not think there is hardware EQ or compander that can do what GlissEQ can do.  And it is allot of fun for me to use.  GlissEQ is great for the obsessive-compulsive audiophile in me.  JFYI
Bob Graham


What a cool tool!

The Voxengo GlissEQ was often the rescue, if frequencies did not, what they should ;-)

GlissEq does a super job, if a raising or lowering permanently sucks.  For this the adjustable dynamics are just right!

Thanks



If you ever discontinue the Gliss EQ, um... we will no longer be friends, haha.  It is my ultimate secret weapon for channels, busses and mastering chain.  You couldn't pry it from my cold dead virtual hands!  Spend the time and get to know this plugin as intimately as possible.  Used skillfully, no other parametric graphic EQ comes close to it.  NOTHING!
Alien Implant (artist and mastering engineer)




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