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Don't be fooled by the "toy-like" GUI.  This reverb is absolutely BRILLIANT on vocals.  It simply puts vocals where they have to be in a mix.  I have other reverb plugins, free and not.  No comparisons.  On vocals this plugin simply shines.  It adds "ambience" and "depth" without blur the dry signal.  I've had it for a lot of time in my vst plugin folder, ignoring it ;

then a day, after having tried all the other reverbs i have, for fun i put it on the vocal FX bus and "wooow!" Never looked back!

Thanks Voxengo!  Aleksey you're a genius and a generous developer!

Alteregoxxx


I am using quite a few of your plugins as bus masters for film & TV sound post.  Elephant after Polysquasher is fantastic to envelope the final mix and peak limiter for broadcast specs.  Voxformer is an excellent way to control and punch vocals without sounding over processed.  Soniformer is my preferred plugin for music pre mix stems but until recently, I wasn't quite happy with a compressor for FX stem control, but the new Drumformer is perfect for this.

HarmoniEQ and GlissEQ are both really useful to enhance without fatigue and also interesting EQs to use on denoised material.  Great plugins and so reasonable priced.  They work perfectly in my Fairlight host.

Michael Gissing , Digital City Studios, Australia.


Hands down my favorite master bus plugin that I've ever used.  I use this for hip hop and dance and it brings new life to my rough ideas as well as final productions/mixes.  A must have!!!!!!
DJ Frank E


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I am so thankful for the tools that you have made.  I am able to achieve control over sound that is simply impossible with "two-knob plugins." They certainly have their place, but I prefer to understand the character of different flavors of sound and mix/transform music with conscious intention, just as songwriters do so when creating their work initially.  Your tools enable me to express what I see/hear in my mind's eye/ ear.


For ITB mastering, it's hard to beat the color, and flexibility of Overtone GEQ.  There's a lot of analog-styled EQ's on the market, but I've yet to find one that really warms up the music the way Overtone does.  For such a high-quality sound, combined with the ability to process with m/s, I can't believe it's free.  I'd have gladly paid for an EQ this great!
Shawn Hatfield - AudibleOddities Mastering



Stereo Touch is an essential piece of gear to me...on my first effort at engineering a recording of a Native Drum group, I had only one overhead mic at my disposal.  Voxengo ST took the lifeless mono tracks and expanded them to breathtakingly full stereo effects...with it, I was able to capture every male/female voice, every hand rattle, every cough even, to stand out in the mix.  Needless to say, my clients were thrilled after hearing the before and the after with ST.  In my own music, it's a go-to part of kit for vocals and guitars, featured on my latest release, HEAVY MUSE.  Thanks ever so much...and I just downloaded your Delay, based on a heads up from another engineer/producer friend of mine!
Makwabid


Thanks for a great product guys, the Elephant is an amazing limiter.  Wins out over many of my other [considerably more expensive] limiters on many projects, retaining transparency, clarity and punch.  It’s intuitive to use, has all the additional controls I need, plus the “graphs” and metering statistics are the icing on the cake.

Thanks again,

Paul.

Paul Butler Tayar - The Butler Mastering, Sydney Australia


My first album was an instrumental metal album with electronic instruments and orchestra crammed in and I was at wits end trying to get it up to current volume levels and not destroy the sound.  I tried a number of other popular compressors\limiters that cost much more and could not get the sound I wanted.  I finally tried the Elephant and I couldn't believe how simple the interface was...and how well it just worked!  I've since recommeneded it to others, one friend who was in a punk band came back to me and said, "That plugin worked miracles!".  I literally use the Elephant at the end of my chain for every project now.  It's a given.

I also bought Soniformer that same day and I've been very happy with it's performance.  It's one of the only EQ\multiband compressors I trust to hand delicate high frequencies without distortion.  It's extremely powerful, though the serious control provided makes for a somewhat confusing interface.  Also I wish it provided for seperate left\right channel EQing\Compression. (of course that would clutter the interface even more haha!)

Scott Morgan


Voxengo Recorder is the perfect tool for just fooling around with a synth or fx and capturing all the cools sounds, tweaks and ideas you come up with.

Incredibly easy to use and the quality is top notch!

I can't believe its FREE!

Thanks Voxengo

DJ Dauntless


I've been using the elephant for mastering and I find it extremely musical.  I'm currently demoing glissEQ and harminiEQ, polysquasher,deft compressor and soniformer.  I find them all extremely musical.  And at the end of the day it is music we are working with so it makes sense to work with plugins that make your music sound even better.  I've done an extensive test comparing gliss EQ and Pro Q by fab filter and found gliss EQ sounds better every time.  It is more open, more transparent, more sweet and musical.  I read in another forum that pro Q was far better but this just isn't true.  Yes pro Q is very good but it still doesn't bring any life to the sound like gliss and harmoni EQ do.  Everything just seems to come alive with voxengo plugins.  I've only owned elephant up to now and when I mix I can't wait till the mastering stage to use elephant cause I know what its going to do to my sound.  I don't think twice any more when it comes to voxengo because I've learn't to trust my ears and when I hear something special I look no further.
Kilmar