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A word on Elephant. I use quite an array of plug-in processors and effects(within my DAW) in my work. Some are very expensive and do an incredibly professional job (provided you take the time to learn how to use them). Heres one of them with a slight exception.
Elephant is an excellent track limiter. Especially for rhythm and drum tracks. Acceptional control with a silky, yet somewhat nuetral sound. Its user friendly with a simple, but effective interface.
The exception.........its not one of the more expensive products. The results just sound like it.
I have been very pleased in using several of the Voxengo processors in different professional projects. After learning what they do well ( and they do alot ), sound sculpting becomes that much easier.
Also...my feelings tell me that this company isn't going to rest on its laurels and there are further treats to come.
MD Valentine Pro
I cannot believe that Warmifier gives BBE Sonic Maximizer a run for the money. I was fixated on BBE, but after using Warmifier, there is so much more control that the BBE SM doesn't have: current, voltage tube emulation as well as tube makes/types, LE and HE filter adjustments as well as LE And HE EQ'ing. Just disgusting! (Don't fret: that's a good disgusting LOL)
Sometimes I have to admit it: I get confused to using Lampthruster and Warmifer, but Warmifer is the unexpected lovechild of Voxengo TubeAmp & Voxengo Sonic Finalizer in my eyes! I assume that Warmifer is better for the mastering phase when used with Marq. Compressor, Soniformer and Elephant.....as Lampthruster is good for colorizing tracks in congregation with Voxengo Crunchessor, Voxengo GlissEQ, and Elephant, correct?
Well, enough of my raving. I'm going back to using this bad boy. Using Warmifier with AFChorus and Crysonic's Spectra'PE 32-bit limiter is a deadly combo, yo.
E. Irizarry - future R&B artist...real talk, baby!
Dear Mr. Vaneev,
I am using Your tools for professional CD productions, broadcast an TV, too.
And it is about time to say thank You!
I am enjoying to work with all Your plugins every day.
Nowadays we have many plugins being programmed to be used by non professionals, as long as they look good and have all kind of bullshit-addons to disturb studio computers from working smooth and efficiently.
I appreciate Your way of seeing the things from the point of music professionals and sound engineers in terms of quality, pricing, and handling parameters as it should be technical wise. The optical appearance of the tools are made for an everyday use in industrial production. Thanx a lot.
All the Best
Michael Schneider, TEControl, Germany
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