Voxengo Stereo Touch free

Stereo Touch is an essential piece of gear to me...on my first effort at engineering a recording of a Native Drum group, I had only one overhead mic at my disposal.  Voxengo ST took the lifeless mono tracks and expanded them to breathtakingly full stereo effects...with it, I was able to capture every male/female voice, every hand rattle, every cough even, to stand out in the mix.  Needless to say, my clients were thrilled after hearing the before and the after with ST.  In my own music, it's a go-to part of kit for vocals and guitars, featured on my latest release, HEAVY MUSE.  Thanks ever so much...and I just downloaded your Delay, based on a heads up from another engineer/producer friend of mine!

Add me to the chorus of people singing praises about Voxengo software.  I've just recently started getting into computer audio recording (Cubase 4 on an Intel Mac), and was looking for some improvement over the stock plug-ins.  I downloaded a couple of the free Voxengo plug-ins (the Tube Amp and Overtone GEQ), and based on that, will be purchasing some others now.

Echoing what others have said, the Voxengo plug-ins sound musical (what a concept!) and are reasonably priced.  It's obvious the person who designed them has a discriminating and musical ear.  I was able to make some immediate improvements to a couple tracks with the free plug-ins.  I almost feel like I'm using analog gear, due to the warm, musical tone of this software.  Great job!  I also appreciate the modular concept of the plug-ins, how they all share a number of common parameters, which makes it easier to switch from one to the next.

The Voxengo website is well organized, making it easy to get information on the software.  It's also clear that the software is updated regularly to fix any issues that come up. (Wouldn't it be nice if all software companies did this?)

I don't write too many testimonials, but when someone does something right, it should be recognized, and Aleksey Vaneev has done just that.  Thank you for designing this software, and making it available to the public.

I am so thankful for the tools that you have made.  I am able to achieve control over sound that is simply impossible with "two-knob plugins." They certainly have their place, but I prefer to understand the character of different flavors of sound and mix/transform music with conscious intention, just as songwriters do so when creating their work initially.  Your tools enable me to express what I see/hear in my mind's eye/ ear.