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Voxengo Polysquasher VST HELP

Voxengo Polysquasher VST Screenshot



Contents

Introduction
Gain reduction display
Preset management
Knob control
Mode selector
General plug-in information
Troubleshooting tips and additional information



Transparency for mastering

Transparent compression action is a cornerstone for any mastering compressor. Transparency is necessary to preserve all existing elements in the mix, while compression itself is necessary to make the mix sound uniform to other mixes (tracks) and to make it sound more solid. Artistic dynamics adjustment also requires a high degree of transparency from the compressor. This allows the user to retain the original signal's clarity, while improving its dynamics.

Voxengo Polysquasher was designed with these things in mind. It offers a highly transparent compression performance and a high level of control, with only a minimum number of adjustable settings available at users' disposal. This makes it ideal for common mastering applications.

Its unique-to-date compression technology--which gives an unprecedented compression transparency--additionally allows the user to give a very special `touch' to the signal being processed. It subtly tightens the low end and reveals the high end, creating a special `fresh' sound.

To sum up, this is a very interesting PC VST compressor plug-in. Its compression effect can be slightly disorienting for the first time, since it differs from the other compressors greatly. But after some time of use, its performance will be OK for you.

Polysquasher's features:

  • Transparent sound
  • Real-time gain reduction scope
  • Variable knee
  • Three operation modes
  • High-pass side chain
  • "A-to-B" comparisons
  • Factory presets
  • Mono-to-Stereo, Stereo-to-Stereo processing
  • Sample rates up to 192 kHz supported
  • 64-bit internal precision
  • Native assembler DSP code


  • GUI information.


    Gain reduction display

    Gain reduction display

    This is the real-time gain reduction scope display (when the Mon Gain monitoring option is enabled). It shows the peak gain reduction values which occured during the last four seconds of processing. Maximum reached gain reduction is displayed right above the "0 sec" label. This gain reduction value changes adaptively, showing the maximum reached gain reduction value during the last four-second time frame.

    Horizontal line shows the average gain reduction level for the last four-second time frame. The actual average gain reduction value is displayed in the top right corner of the display. You can use this value as a make-up gain value you can set with the "Out" knob.

    When the "Mon In" monitoring option is enabled, the gain reduction display shows the input signal (absolute linear values) in black and the relative output signal in red. The Current Out Gain value also affects the visible output signal plot.



    Preset management

    Buttons

    You can use the "Preset..." menu button to perform basic FXP/FXB preset/bank management tasks. The "Set as default" menu option of the "Presets..." menu allows you to assign the currently loaded program to the default preset program. This default program will be loaded whenever you enable a new instance of the plug-in or reset the current program. You can use the "Reset default" option to restore the default factory preset.

    By pressing the "A|B" button, you can exchange the current and shadow (or, alternatively, "A" and "B") programs. The "Copy" button copies the current program to a shadow one.

    Since only a single shadow program is used for the whole program bank, you can use "A|B" button to copy programs. To do so, you first need to switch to a program you want to copy and press the "Copy" button. Next, switch to a program where you want to put the first program and press the "A|B" button.

    The "Reset" button can be used to reset the current program. All parameters will return to their default states.



    Knob control

    Knob control

    This is a knob control. To change its value, you need to drag it with the left mouse button and move it up or down. For finer adjustments, you can press the right mouse button while dragging. Double-clicking on the knob with the left mouse button will return the knob to its default position.



    Mode selector

    Mode selector

    This selector allows you to choose which compression mode Polysquasher uses. Mode 1 is the most interesting mode, since it gives that `fresh' sound. Mode 2 is a more neutral mode, which is useful if you need an absolutely transparent compression. Mode 2 also gives a better achieved compression ratio.

    Mode 3 is a kind of improvement of the Mode 2. Mode 3 gives much less "pumping" to the sound and allows transients to pass through.



    ?

    Pressing this button will display the plug-in's info screen. This screen shows copyright and registration information, and contains a "Help" button which opens the bundled HTML help file you are reading now.

    On this info screen you can also adjust the update frequency of the gain reduction scope display.



    General plug-in information

    Like most compressors, Polysquasher has Threshold, Ratio, Knee and Out controls. These controls have a pretty common meaning.

    Side HP specifies the cutoff frequency of the built-in high-pass filter which is used to produce the side chain signal. Side chain is useful for lowering the influence of the bass frequencies over compression.

    Threshold specifies threshold level, which allows Polysquasher to decide whether to compress the current signal or not. I.e., if the signal's power is below the Threshold, no compression takes place.

    Ratio controls the power or amount of compression.

    Knee specifies the span of the compression curve's knee. The bigger the knee setting is, the softer and rounder the knee is.

    Dry controls the level of the original untouched input signal being mixed to the output.

    Out simply controls the output signal gain.

    Please also note that Polysquasher has a built-in DC filter which helps to avoid introducing of additional DC offset.



    Troubleshooting tips and additional information


    I understand the difference between Soniformer and Polyquasher from a theoretical standpoint. 32 bands vs 1 with two different purposes: spectral balance vs transient response. So, how does one make the two work together? Should they work together?

    This is hard to tell for sure how you can mix these two compressors together. I would try SF followed by Poly. Poly is meant to 'squash' the sound as a whole (make it tighter and more glued), it does not sonically reshape the sound in a radical way (as SF). So you may use Poly before the limiter to change dynamics in a better way than the limiter naturally does this. Of course, if SF after Poly works better for you then go for it!


    Does the Polysquasher mastering compressor work like a multiband-compressor to balance the frequency spectrum of the signal?

    Polysquasher is not a multi-band compressor: that is, the audio is not divided into several bands. The balancing Polysquasher does is not exactly controllable - it simply adjusts the audio in a preferrable way. Polysquasher is best used right before the limiter in the post-processing chain. If you need some more control over audio spectrum you should definitely use a multi-band compressor.


    I'm wondering what attack/release Polysquasher use? It seems very fast and natural - I think some of this is because of the knee also.

    Polysquasher has no defined attack/release value. Due to its design both attack and release times depend on the program material and the mode used. At least an exact attack/release figure cannot be defined.


    I was wondering what the slope of the high-pass filter is?

    It is equal to -12 dB/oct.


    I'm trying to get some information about the MODES to set Polysquasher better. Do MODES have any relation to any type of EQ pre-emphasis?

    Modes do not have any relation to EQ pre-emphasis; they select an intelligent attack/release algorithm type.



    Happy Mastering!



    Copyright © 2003-2008 Aleksey Vaneev

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    Plug-in uses PNG library by Gustavo Huffenbacher Daud