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Voxengo LF-Max VST HELP

Voxengo LF-Max VST Screenshot



Contents

Introduction
Preset management
Knob control
Parameters
Troubleshooting tips and additional information



Introduction

With the introduction of a new PC VST plug-in LF-Max--which is now available for download--Voxengo continues development of tools designed to perform low-frequency adjustments.

The main function of LF-Max is to add sub low-frequency content to the program material and to the individual mix tracks. Beside this, it features a distortion module like the one found in Voxengo LF-Punch plug-in. Signal flow is different from LF-Punch, though. LF-Punch processes low-frequency band "in-place", while LF-Max mixes distorted signal result with the original low-frequency signal.

Internally, LF-Max produces three signals: the first one is the original low-frequency signal, which is extracted by means of an adjustable crossover filter; the second one is the distorted signal, which is generated by applying distortion to the original low-frequency signal; and the third signal is the sub-frequency signal, which is synthesized from the original low-frequency signal. These signals can then be mixed together in the desired proportion.

LF-Max also reproduces finite word-length effects on all processing stages of the plug-in (but without any kind of clipping occuring). Theoretically, a plug-in should have the flavor of outboard 24-bit DSP processors, which is usually subjectively considered by audio engineering professionals as "better sounding".

Voxengo LF-Max features:

  • Sub frequency generator
  • Distortion module
  • Two distortion modes
  • Distortion, sub and original signal blending
  • FX monitoring switch
  • "A-to-B" comparisons
  • Mono-to-Stereo, Stereo-to-Stereo processing
  • All sample rates supported
  • 24-bit DSP chip imitation
  • Native assembler DSP code


  • Preset management

    Top buttons

    You can use the "Preset..." menu button to perform basic FXP/FXB preset/bank management tasks. The "Set as default" menu option of the "Presets..." menu allows you to assign the currently loaded program to the default preset program. This default program will be loaded whenever you enable a new instance of the plug-in or reset the current program. You can use the "Reset default" option to restore the default factory preset.

    By pressing the "A|B" button, you can exchange the current and shadow (or, alternatively, "A" and "B") programs. The "Copy" button copies the current program to a shadow one.

    Since only a single shadow program is used for the whole program bank, you can use "A|B" button to copy programs. To do so, you first need to switch to a program you want to copy and press the "Copy" button. Next, switch to a program where you want to put the first program and press the "A|B" button.

    The "Reset" button can be used to reset the current program. All parameters will return to their default states.



    Knob control

    Knob control

    To change a knob control's value, drag it with the left mouse button and move it up or down. For finer adjustment, press the right mouse button while dragging. Double-clicking on the knob with the left mouse button will return the knob to its default position.



    Parameters

    Center - cutoff (center) frequency of the internal crossover filter.

    DistDrive - power of the distortion applied to the low-frequency signal.

    Filter - high cut filter's frequency: with this filter you may remove higher harmonics after distortion is applied.

    DistGain - amount of distorted signal added to the output.

    Dist Mode button selects distortion module processing mode. The "Precise" mode works in a pretty straight-forward way by applying "plain" distortion to the low-frequency signal. The "Pump" mode applies a little less predictable distortion which sounds best on separate techno kick drum tracks, because in this mode, distortion lowers the level of the body of the kick drum, making the resulting sound more "punchy" than in the "Precise" mode. However, this "Pump" mode may not be suitable for overall mix processing as it may exaggerate surrounding bass notes.

    Sub Gain - amount of sub frequencies added to the output. The Sub frequency generator works with the low-frequency signal extracted by the internal crossover filter. If this filter is tuned to 128 Hz, this will generate a 64 Hz "sub" signal. This works pretty well in most cases and "fattens" the sound a lot, and even imparts a subtle presence effect.

    LF Gain - signal gain of the original low-frequency band.

    Out - overall output gain control.

    Monitor switch bar allows you to listen to different signals inside the plug-in. You may use the "LF+HF" option to hear the sound of the crossover filters working inside the plug-in.



    ?

    Pressing this button will display the plug-in's info screen. This screen shows copyright and registration information, and contains the "Help" button which opens the bundled HTML help file you are reading now.



    Troubleshooting tips and additional information


    Any chance of a wet/dry knob to leave the original signal untouched and just blend to taste?

    In this plug-in you can already use wet/dry mix. All three signals (distortion, original and sub) have a separate gain control.


    I'm trying to use LF-Max for an electric bass guitar. This bass guitar has an incredible tone that I'm trying not to change at all. All I simply want to do is create a subharmonic dimension to it. I can't seem to add this without slightly altering the essense of the tone. Any settings suggestions to help me achieve this?

    First of all you should probably remove the 'Dist' signal from the output - set the DistGain to -inf. This way you can add subharmonics alone. However, subharmonics CAN alter the sound, and in some musical phrases they may sound dissonant.


    Can LF-Punch do anything that LF-Max cannot?

    LF-Punch emphasises transients, and features a low-frequency signal compressor (which is not the same as distortion) - LF-Max does not offer these features. LF-Max was really designed just to add some 'oomhp' and a bit of density to lower frequencies - but it can't emphasize dynamics in a way LF-Punch does it.



    Happy Musicmaking!



    Copyright © 2005-2007 Aleksey Vaneev

    VST is a trademark of Steinberg Media Technologies GmbH.
    All other trademarks belong to their respective owners.
    Plug-in uses PNG library by Gustavo Huffenbacher Daud